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Too Cute? Fashion vs. Morals: Celebrity Baby Edition



            Societies’ fascination with celebrity could easily be described as all consuming; at times the preoccupation edges into unhealthy territory. While their chosen professions (actors, reality stars, etc.) enter them, and all their dirty laundry, into the public domain, the privacy levels allocated to their children is often a point of contemp. Some stars such as Kristen Bell and her husband Dax Shepard have gone so far as to speak out against and protest the paparazzi’s right to photograph their children. Others, such as the Kardashians, readily parade their offspring through the spotlight on a daily basis as if he/she were just another expensive accessory.

            Whatever your feelings are on the subject, you can’t deny the fact that many of today’s stylish tots are consistently on par with the fashionable crowds their parents belong to. It’s an odd obsession, but judging by the weight that this under-five crowd holds in the tabloids, the public can’t get enough.

            Indisputably the most well known tot of our time, Prince George, at the tender age of 17-months, has already been placed on British GQ’s Top 50 Best Dressed Men list. Being third in line for the British throne must be stressful, but for now the little prince seems content running around in his signature dungarees and whimsical jumpers.

            His style “choices” (many of which have been well-documented by websites entirely dedicated to his wardrobe decisions) seem to follow the lead set by his mum, Princess Kate. Both tend to favor budget-friendly pieces from mass-market brands that they then reuse over and over again. While the act of wearing the same outfit more than once seems like a basic concept for most of us, it’s rare that someone of their status and wealth would do so on such a regular basis.


In fact, Princess Kate recently received criticism from the press for recycling a formal Jenny Packham dress to an alumni dinner in New York City. Apparently her continued use of the same look is perceived as ‘wasteful’ rather than thrifty. Is she doing the British fashion industry a disservice by refusing to take advantage of the spotlight that is so constantly shown on her to promote local talent?
            The reason behind her decisions is clearly not for lack of resources, but instead a PR push on behalf of the royal family to be repositioned as ‘normal people.’ After the discovery in the early 2000s that the majority of UK citizens held a negative view of the aristocracy, the family has been attempting to rebrand their public image to occupy a more favorable light.


            One example of this comes from the much-publicized Christmas photo of George, which was shot at their home, Kensington Palace. The adorable, smiling baby wears black shorts, knee-high socks, navy shoes, and a Cath Kidson royal guard jumper. Upon release of the image, his entire outfit was sold out immediately with merchants promising to restock as soon as possible to meet the overwhelming demand. If he can influence the national economy so positively at this point, imagine what he’ll be able to accomplish when he learns to speak.

            His influence goes beyond selling out singular pieces, however. Rather than taking on the potential to become an innovator of childrenswear, he uses his influence to bring about nostalgia for more classic, preppy styles. He forgoes the usual slogan t-shirts and wildly printed leggings that can be seen in stores today and instead favors a refreshingly distinguished but age-appropriate approach to dress.


            On the other end of the spectrum is the newest addition to the Kardashian-West clan, 18-month-old North West. With the self-proclaimed king of the world, Kanye West, and the internet-breaking, selfie queen, Kim Kardashian, as her parents, the entire world is eager to watch North’s every (baby) step.

            Kim and North frequently appear in mommy-and-me coordinating looks; Kim sporting customized pieces, which are often straight off the runway, and North in specially made to scale duplicates. While their matching looks are certainly adorable, their correspondence is hardly a surprise considering Kanye predilection for styling to both fashionistas himself. (I wonder what it will be like when North starts dressing herself? Or is she will ever be allowed to… will she have to get approved by Kanye before leaving the house? Will this cause loads of drama? Maybe we’ll find out on Keeping Up with the Kardashians season 27.)


            Unlike Prince George, the Kardashinan-Wests are not shy about toting their baby all over town as if she were little more than another one of their oversized Hermes bags. Some of the places you might have spotted North recently: front row at Givenchy in a mini black lace dress and doc martins, at the airport with her own tiny YSL purse, or making googly eyes for Annie Leibovitz in the pages of that Vogue.

            All of this considered, it’s hard imagine North not developing into a rotten little monster. But Kanye frequently assures (anyone who will listen) the public that he has no intentions of letting his daughter grow up with a spoiled attitude. While mulling over the validity of this statement, take into consideration some of the recent purchases North has been pictured in recently: $50,000 Lorraine Schwartz diamond earrings, and a full runway look from Riccardo Tisci. Heck, I’m basically a full-formed adult (well, that’s a stretch) and I’m sure it would all go to my head too.


            This brings to mind a bit of a sickening question: do PR companies try to woo their toddler clients to wear their pieces just as they would any other celeb? If you can remember back to when North was born, a number of people were instagraming the various fabulous gifts that the (literally just born) baby was receiving. While I’m sure some of those came from honest well wishers, there is a more cynical side of me that assumes everyone just wanted North to use their product so they would get the publicity that comes when she is inevitably papped in/with it. The whole ordeal is an interesting expedition into the morals surrounding rights of privacy and what should/should not be fair game for the media.


            Regardless of personal opinions, it’s clear that the childswear industry is gaining momentum thanks to the recent influx in both the sheer amount of star-spawn and the public’s inflated enthusiasm for the trend. If the newest breed of socialites: Kendall Jenner, GiGi Hadid, or any of the numerous Baldwin children, are any indication, we will be seeing a lot more of these kids over the next few decades.

Kingsman x Mr. Porter



The first time I saw a preview for the film ‘Kingsman: The Secret Service,’ my heart was racing, although it wasn’t the stunts or explosions that had my pulse quickening. While the on-screen exploits undoubtedly look like the makings of an exciting film, my eyes could only focus on one thing: the impeccable tailoring and dapper suiting donned by Colin Firth’s character, Galahad.

           The James Bond-esq film takes place in London and centers around (what else?) a group of super spies trying to save the world. Where it really gets interesting however, is the bit about their mission HQ and professional cover up falling under the guise of running a bespoke tailoring shop on the famed Savile Row. Unsurprisingly, many of their gadgets and fancy gizmos stem from their wardrobe and various accouterments that any rakish man would typically have on hand: hand grenades masquerading as lighters and bullet-repelling umbrellas. While not exactly practical for the everyday gentleman, the film stars are sure to inspire a yearning for their on-screen wardrobe among male viewers.

Arienne Phillips, Kingsman’s chief costume designer, known for her Academy Award-nominated work on Walk the Line and Madonna’s W.E., described this phenomenon to The New York Times as “When men identify with a costume they want to own, it’s almost like teenage girls. I actually had someone show up at my front door once, which was disturbing, asking me to make me a costume like Brandon Lee (The Crow) wore.”


My first assumption was that the costumes must have been pulled from the likes of past Tom Ford and Gucci collections. In truth, the looks were actually created specifically for each character by Phillips and director Matthew Vaughn. Taking it one step further, they created an accompanying collection that mirrored the clothes worn throughout the film for a collaborative effort now available for purchase on Mr. Porter. Perfect for the little boys who never quite grew out of their desire to dress like an action hero.

The 60-piece collection has been available via MrPorter.com since the fall. It features traditional British tailoring paired with pieces from well-known English heritage manufacturers such as Drake’s (ties), Makintosh (over coats), and Turnbull & Asser (shirts). Prices range from $650-$2495 for a wool suit and go up to $21,582 for a rose-gold, croc-embossed Bremont wristwatch.


Beyond the obvious appeal of dressing the stars in dashing ensembles, the clothing is tantamount to the plot as it serves as a visual cue for audiences of characters’ transformative processes. Galahad’s objective is to recruit and train new members for the team, and while other representatives’ choices are more conventional selections –well-bred children of the upper class, Galahad’s draftee is in need of a serious attitude adjustment. Gary, played by newcomer Taron Egerton, starts off as the typical drop out. A boy who was once viewed as extremely promising material, was met with unforeseen circumstances and fell into the wrong crowd. He might not see his own potential, but Galahad believes that he can groom (both literally and figuratively) this young man into something great. As he eventually breaks through to him, the audience sees Gary change out his ill-fitting street wear for bespoke suits.

The Kingsman x Mr. Porter collaboration has the potential to do something extraordinary for the link between the fashion and film industries. In the past it hasn’t been unusual for films/directors to collaborate with designers to create one-off collections, but these products are often forgotten soon after their release, cast off as silly and outdated promotions. Kingsman on the other hand is proving itself to be a remarkable exception due to its unparalleled quality and handsome tailoring. While figures haven’t been released, it seems to be selling well and a second collection for Spring ’15 is already in the works. As Galahad says, "The suit is a modern gentleman's armor. And the Kingsman agents are the new knights."


Kingsman will be released on the 29th of January in the UK and on the 13th of February in the USA


Frivolity

With my lovely partners in crime, Lisa and Gerry at an event for Maje at Saks Fifth Avenue

            That part of winter that comes after the holidays, but before any hope of spring weather lies on the horizon, is a trying time. It’s especially testy in New York where the simple prospect of going to dinner downtown or an event across the park becomes unimaginably difficult. So when you do finally make it outside, you’ve got to make the most of the night!

            With that mantra in mind, I ventured outside of my cozy apartment for the first time in what felt like weeks (but was actually more like a day and a half) and back into society. Clap clap for me.


Breakfast is appropriate any time of day. Especially at one of my new favorite spots: Narcissa, which is tucked into the back of The Standard Hotel in the East Village. 


Final stop of the evening for festive drinks and snacks to toast the new issue of Vogue with Shinola and Wilma Jean.

bag: marni
top + jacket: topshop
watch: marc jacobs



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Caroline Mason: 21. Native New Yorker (and one time North Carolinian). Assistant to Derek Blasberg. Just a girl who is OCD about all things fashion, drinks way too much coffee, and has an affinity for late night talk shows and travel books. FIT class of 2016. Previously with Karla Otto PR, Lori Goldstein and Lester Garcia.

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